The presence of narrative in video games has traditionally been considered an afterthought, more often than not just a reason to justify playing as a space marine fighting hell demons on mars, or a chivalrous knight battling dragons in medieval times. With the added challenge of presenting an engaging story, while simultaneously not dragging down the actual gameplay, developers often choose to forgo heavy narrative in favor of convenient allegory. But over the current console generation, story in gaming has taken a major step forward.
One of Portal's mysterious Rat Rooms. |
While some developers prefer to take an unconventional approach to storytelling, others strive to replicate a more traditional cinematic experience. Bioware has a long tradition of well-written, narrative-focused games, dating back to Baldur’s Gate in 1998. Their Mass Effect trilogy, the third of which releases later this year, is a space drama in the same vain as Star Wars or Battlestar Galactica. The games build a vast universe (literally) with a plausible fiction and complex racial and political undertones. Mass Effect 2, in particular, features some of the finest characters in gaming, such as Mordin Solus, a fast-talking alien scientist who, if you are chummy enough, will perform his own version of Gilbert and Sullivan’s “Major-General’s Song,” and lecture you on the merits of safe sex (not at the same time, of course).
Nathan Drake (left) and Firefly's Malcolm Reynolds (right) played by Nathan Fillion. |
Each of these games illustrates how far developers have come since the days when a small yellow puck being chased by four ghosts was the pinnacle of gaming narrative. And the various methods each game uses to convey its story show just how difficult it is to deliver an immersive fiction while still keeping fun gameplay at the heart of the experience.
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